I stirred. I was not certain what had awoken me. Even with awareness returning to me, I could feel something sapping my energy and my strength. Sucking the very life out of me. With a cry of rage, I forced myself to my feet, shaking off the last of the feeling of lethargy.
I took in my surroundings in a split second. I was in the Girlpants office; in fact, at my desk, though I did not remember arriving there. I was surrounded by dark, faceless, half-transparent men, who were stumbling backwards, taken by surprise by my sudden activity. My colleagues were each slumped over their desks, surrounded by more of the bizarre shadow men. Their incorporeal hands were plunged into the skulls of my new friends, feeding off of their mental energy. I was immediately filled with an indescribable rage. I had never asked to be a blogger, but I was here now. And no shadowmen were going to take that away from me.
I drew my katana.
The rest was a blur. I did not mark the number of minutes that passed as I battled, nor the number of strokes of my mighty blade. Awareness of my surroundings returned to me gradually as I crouched, panting, the last smokey remnants of shadow just now fading away. My colleagues were coming to all around me, their words slurring as they asked me what had happened, why I had not brought them their morning coffee and cheese danishes. I sheathed my sword, shook Joel’s weakened grasp from my sleeve, and sat down in front of my computer.
I had to find something. I had to hear something as powerful and relentless as the rage that, even now that the danger had gone, still filled my spleen to the bursting point.

Perhaps the demons might have seen my awful metaphor about how much I enjoy drum kicks and crashes and envisioned some place in Dante’s hell where I would be forced to listen to a song that consists of virtually nothing else. If so, this would be that song. However, it would not work, because this song has been my favorite from this album since the first time I played the whole thing through. That the lyrics would appeal quite readily to anyone in high school who likes to consider themselves “weird” is only another part of its charm.
This track was released as a single for the album and it’s a little more representative of the band, which I would describe as a bluesish band trying to sound more punkish, though I really hate trying to slot bands into specific genres like that. It’s a fun little song with a catchy chorus that comes to a satisfyingly noisy conclusion which, as our more loyal readers may be aware, is about all I ask from any song.
We Kill Computers is The Pack a.d.‘s latest album, released last month and now available through Mint Records. The combination of bluesy vocals and noisy guitars and drums grew on me very quickly, and the album overall has a strong sense of, dare I say it, simple rock’n’roll fun. In particular, “Big Anvil” has a classic rock scream near the end that I love listening to. If you feel a strong dose of noise and energy is just what you need to defeat your own faceless soul-sucking demons, I heartily recommend this album!
Listen In!


