Amanda Palmer reacts to justice (as to everything) with exuberant Twittering

Yes­terday, Amanda Palmer (of the Dresden Dolls and also of a kind of bril­liant solo album and recent col­lab­o­ra­tion with Jason Webley called Evelyn Evelyn) led an aggres­sive, Mel-Gibsoned Twitter cam­paign to make a big announce­ment: after sev­eral years of imbroglio with the less than sup­portive Road Runner Records, she has finally been dropped from the label. (I totally called the news when she posted the Gibson photo, though who’s taking score?)

To cel­e­brate the occa­sion, Palmer released “The Truth,” a free down­load, fea­turing Jason Webley on guitar and Sam Kulik on trom­bone. The song is a story-of-everything-ever, in Amanda’s endearing kind of way; most of all, though, it cel­e­brates freedom. You know you like freedom. And no matter what anyone says, I am not over this lady – she can keep over­sharing, making clumsy com­ments and posting her trade­mark near-nudes willy nilly around the internet. It’s just a pic­ture of a girl get­ting Twitterer.

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The above is off Who Killed Amanda Palmer, and it is one of my favorites, as it cel­e­brates one of my favorite kinds of humor. Have a good Thursday and try to be as awe­some, please.

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3 Comments

  1. Martha

     /  April 8, 2010

    I find it really hard to want to have any­thing to do with an artist who’s so full of priv­i­lege she thinks it’s funny to make jokes about the KKK, and sim­u­late rape on stage, and pub­licly mock “dis­abled fem­i­nists” and anyone else who objects to the things she does. At least for me, she’s said and done enough nasty, thought­less things to make me think really, really badly of her.

    Reply
    • Martha, I do get your response. Palmer is really quick to react and (this is my impres­sion) she’s often in the dark about the con­se­quences of her kind of weird level of fame. But she is also a per­former, and she has roots in the bur­lesque world, which is often dark and equi­lat­er­ally offen­sive. I am gen­er­ally really into the hyper-performative, espe­cially when it makes light of issues people are uncom­fort­able with. At the same time, though, I don’t find her “polit­ical” in this way. She has an easy time nav­i­gating these topics, and maybe it is indeed priv­i­lege speaking. Nev­er­the­less, the exu­ber­ance, the word-vomit and utter lack of pre­med­i­tated pub­li­cist spin has an appeal that agrees with me.

      Nev­er­the­less, I did not get into this on the post itself, but I’m not a fan of the Evelyn Evelyn stuff, really. I think it’s some­what twee and gim­micky and at times (same beef as yours, really) thoughtless.

      Reply
  2. MattKlomp

     /  April 8, 2010

    Really dig­ging Evelyn Evelyn — sounds a bit dif­ferent from the Dresden Dolls stuff, but I think it’s awe­some. The band’s myspace page has some really cool stuff up, def­i­nitely rec­om­mend checking it out. http://www.myspace.com/evelynevelyn

    Reply

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