–the spectre of Manpants.
Yes, dear readers, the dreaded day is upon us. The underlings, the proles… they’ve risen as one and created a blog dedicated to the worst in film and tv (the workers’ bread and butter, don’t you know). Is this the end for Girlpants? Is it merely another turning of the wheel of history? Is it inevitable that Girlpants’ beautiful and pure, God-given right to rule be usurped by the masses? Or will Mike and Peter post a few times, get bored of it, and trail off? Time, it seems, will tell.
In the meantime, we at GP got some postin’ to do-ooo.
Lots of new music has been hitting the internets lately. Some of it is good. Some… not so good. Since we at gigapants aim to cover all of it, here’s a smattering of the stuff that’s been getting play in my ears as of late.
DJ Mehdi — Lucky Boy (Ed Banger Records/Espionnage, October)
If you read us regularly, you might have noticed that despite my exessive protestations against dance music, I tend to post about it pretty frequently. (With some rhythm, you might say.) Lucky Boy is the best straight up dance record I’ve heard all year and, depending on how crunk’d I get at the party next Friday, I might end up actually dancing to it. In view of other people(!!). Check it:
- DJ Mehdi — “Pony Rocking feat. Feadz”
- DJ Mehdi — “Lucky Boy feat. Fafi”
- DJ Mehdi — “Hot-O-Momo feat. Xanax”
Of Montréal — Hissing Fauna, Are You the Destroyer? (Polyvinyl, January)
I don’t think I’ve ever heard a record so far ahead of its release date as this one. It’s still September, right? Yeah, I thought so. This baby officially hits your ears in January, but I figure it’s worth building the hype a little early because it’s so damn good. Used to be Of Montréal was “just another one of those E6 bands”. Folksy, playful, whimsical, etc. They’re still most of those things except now they sound like ABBA, too. Seriously, this is great.
- Of Montréal — “A Sentence of Sorts in Kongsvinger”
- Of Montréal — “Bunny Ain’t No Kind of Rider”
Tim Hecker — Harmony in Ultraviolet (Kranky, December)
This guy’s last couple records, Radio Amor (on Mille Plateaux) and Mirages (on Alien8) were creative runs through the kind of gritty, sandy, staticky fields you’ll usually find Fennesz dominating. Harmony in Ultraviolet certainly makes it out to sound like Hecker’s been listening to Venice on an endless loop (all summer, perhaps?), but the connection is definitely more inspiration or kinship than thievery. Lots of music is said to have sonic “texture” but in my opinion only a few records ever really achieve it. After only a few listens, I’m nearly certain that this is one of them.
- Tim Hecker — “Chimeras”
- Fennesz — “The Point of It All”
I’m not gonna say I’m revitalized, or that I can guarantee I’ll be posting more regularly, but I will say that I’ve been feeling the itch. Joel’s settling back into the routine of college life; Niina’s livin’ it up in Yonkz; Mike… I don’t know what Mike’s doing, but he says he’s still working on his top 10 list. We’re alive, and we’re still on top. Don’t you forget it, Manpants.
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