turning on your sign

It wasn’t sup­posed to happen. Mes­sage boards are full of wannabe rock­stars, dozens upon dozens of guitar-slingers, warbly singers and guys rhyming over fruity loops beats. Some of them are alright. Some are even pretty good. Some end up having ful­filling careers on the local club cir­cuit. Some open for a next-level band once or twice and catch a fleeting glimpse of fame before set­tling into grad school and losing their touch. But, gen­er­ally speaking, guys who are actu­ally going places in the music world don’t spend their days on forums, pho­to­shop­ping Terry Schiavo onto album covers and dis­cussing in great detail their top 10 albums of 1972.

breaking kayfabe is the first entirely tambourine-based hip hop album

But it did happen. Rollie Pem­berton, Edmonton-based former p4k writer and PFMS/Hipinion boarder, stepped into his metaphor­ical tele­phone booth and emerged as Cadence Weapon, a rapper who walks that wide and often unbridged line between back­packer hip-hop and the world of main­stream, high-gloss beats. His new record, Breaking Kay­fabe (buy), incon­gru­ously but bril­liantly blends self-aware, lit­erate lyrics with the kind of huge beats and synths you’d find in an excep­tion­ally imag­i­na­tive Three-Six Mafia (or even Dizzee Rascal) song. And he was only 19 when he made the record, working as sole pro­ducer and vocalist. Makes me wonder what I’ve spent the last five years doing. Oh, right… pho­to­shop­ping Terry Schiavo onto album covers.

The impetus for this post came when I saw the new video for the album’s lead single, “Black Hand”. Part of a series of videos funded by a Vide­o­FACT (a Foun­da­tion to Assist Cana­dian Talent), it does a lot with a very lim­ited budget. Check it out.

  • Cadence Weapon — “Black Hand”
  • Cadence Weapon — “Sharks”

[site] [myspace] [label]

(Rollie’s also got a pretty sweet blog called razor­bladerunner, which we’ve got over there in the hot shit bin.)

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1 Comment

  1. Joel

     /  June 2, 2006

    rol­l­l­l­li­i­ieeee

    Reply

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